Un/Cultured: Scenes From A Caveman’s Tale

One day I decided to film one of our guards, Ramesh Ji—the ji here is an honorific—who is from Madhya Pradesh. From outside, the guardroom is a confined place—a voluntary prison. As I stepped inside the room, I expected the monotony of waiting, the slow passing of moments to dull me. But I was wrong. As I listened to the Birha enactment of an oral tale in a dialect of Hindi that was playing on his mobile phone, slowly, the complex and subtle knots of his world revealed themselves to me.

As I breathed and immersed myself in the human dynamics of the oral tale, I realized the world that Ramesh Ji inhabits is an old one, passed down from the times when our ancestors lived in a cave no different than this room, in form of oral tales, oral history, folk songs, in languages that have evolved or disappeared, in a language that is losing its relevance in the global English village.

Now the way I look at Ramesh Ji or his people’s way of storytelling has changed: a man without his people’s stories is poor and deserves pity; the man who knows his people’s origins and history is always rich. I no longer think he lives in a prison—his room is a doorway to a cultured world, just as yours or mine. These stories are our roots, our common heritage on the blue and green dots of a planet. (more…)

Instructions for Astronauts

Become a space traveler, star trekker and adventurer for a few minutes!

“Instructions for Astronauts” appears in April 2017 issue of Mithila Review, an international science fiction and fantasy magazine. Written by Michael Janairo in nine parts, it’s about our destiny—humanity’s epic journey through time and space. What is this form? Is it art, poetry, film? You decide, please!

You can buy Mithila Review‘s April issue from Amazon or Weightless Books.

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McDonald’s vs Kamadhenu — Debkumar Chakrabarti

Kolkata-based artist and professor Debkumar Chakrabarti on how he sees Indian capitalism:

“McDonald’s stands as a representative of global capitalism… and Kamadhenu was a [miraculous] cow. Whatever you want, it’ll give it to you. That is to me some sort of representative of the Indian type of capitalism. [In my art,] I try to show that a synthesis is taking place between them. Whatever we get is obtained from the tussle between the two.”

Visual Arts Gallery, India Habitat Center
September 25, 2016