Science Film Festival Workshop – Bangkok, Thailand (2018)

Cover Illustration: Science Film Festival Philippines /   

I’ve been working these past few weeks with Goethe-Institut / Max Mueller Bhavan on the second edition of Science Film Festival in India. We’ve got some amazing films this year, and I’m very excited to be part of the organizing team.

Photographs from the Science Film Festival workshop held between August 20-22, 2018 in Bangkok, Thailand, led by the amazing Andreas Klempin from Goethe-Institut Thailand.

Along with Geetha Vedaraman from Goethe-Institut (Chennai) and other wonderful participants from a dozen countries, I am really thrilled to be able to introduce some of my favorite DIY experiments and science activities in a workbook for primary/secondary teachers and students around the world.

Here I presented activities on the future of farming in response to this year’s top film selections that explore current food trends and crises, and the coming food revolution powered by AI and agricultural robots, bio-engineering, advocacy, among other critical factors.

About Goethe-Institut

The Goethe-Institut/ Max Mueller Bhavan is the cultural institute of the Federal Republic of Germany with a global reach. We promote the study of German abroad and encourage international cultural exchange. We also foster knowledge about Germany by providing information on its cultural, social and political life.

About Science Film Festival 

The Science Film Festival is a celebration of science communication and enjoys a unique position in Southeast Asia (Cambodia, Indonesia, Laos PDR, Malaysia, Myanmar, Thailand, The Philippines, Vietnam), South Asia (India, Sri Lanka), Sub-saharan Africa (Burkina Faso, Namibia, Mali, Rwanda, Ethiopia, South Africa) North Africa and the Middle East (Egypt, Jordan, Oman, Palestinian Territories, Qatar,Sudan and the United Arab Emirates). In cooperation with local partners it promotes science literacy and facilitates awareness of contemporary scientific, technological and environmental issues through film and television content with accompanying educational activities. The festival presents scientific issues accessibly and entertainingly to a broad audience and demonstrates that science can be communicated in an educational, as well as entertaining manner. The event has grown considerably since its first edition in 2005, becoming the largest event of its kind and one of the biggest film festivals worldwide in terms of audience reach.

By facilitating cooperation between local and international agencies from the scientific, cultural, educational and environmental sector, with the generous support of the international film and television community, an effective infrastructure is put in place for the dissemination of scientific understanding and access to knowledge. All films are synchronized into local languages to offer viewers access to the content without language barriers. During the festival period, the films are screened non-commercially in museums, schools, universities and other educational venues through coordinated efforts of partners with existing networks and the capabilities to organize such screenings. The festival offers a platform for cultural exchange through which different approaches to the world of science converge.

The Science Film Festival 2018 takes place in 23 countries from October to December, 2018. In India we have selected 38 films for the festival. 10 films for the age group from 9 to 12 years and 13 films for the age group from 12 to 16 years. We have selected 15 films for the University (17+) & General audiences. There will be activities accompanying all the films for which self-explanatory sheets will be provided to the teachers.

 

By |2018-09-19T08:37:43+00:00August 27th, 2018|Film, Leadership, Press|0 Comments

Google: The Selfish Ledger

Titled The Selfish Ledger, the 9-minute film starts off with a history of Lamarckian epigenetics, which are broadly concerned with the passing on of traits acquired during an organism’s lifetime. Narrating the video, Foster acknowledges that the theory may have been discredited when it comes to genetics but says it provides a useful metaphor for user data. (The title is an homage to Richard Dawkins’ 1976 book The Selfish Gene.) The way we use our phones creates “a constantly evolving representation of who we are,” which Foster terms a “ledger,” positing that these data profiles could be built up, used to modify behaviors, and transferred from one user to another:

“User-centered design principles have dominated the world of computing for many decades, but what if we looked at things a little differently? What if the ledger could be given a volition or purpose rather than simply acting as a historical reference? What if we focused on creating a richer ledger by introducing more sources of information? What if we thought of ourselves not as the owners of this information, but as custodians, transient carriers, or caretakers?”

The so-called ledger of our device use — the data on our “actions, decisions, preferences, movement, and relationships” — is something that could conceivably be passed on to other users much as genetic information is passed on through the generations, Foster says.

Source: The Verge

By |2018-06-02T07:26:44+00:00June 2nd, 2018|Film, Futures, Speculative design|0 Comments

Report

Manokamana – Poetry on Film Series #4
Title: Report, Length: 45 seconds
Language: Nepali, Subtitles: English, Nepali

I don’t remember exactly when I wrote this short poem. “Report” is about the relationship we have as poets and artists with the country we choose to take refuge in, build a home, serve. It’s about the desire to see peace and prosperity flourish in the lands we traverse, be it our own or foreign. It’s about the collective failure of a people, a nation, which has become a Salusa Secundus of the modern world. (more…)

By |2017-04-18T12:01:32+00:00April 18th, 2017|Film, Poetry|0 Comments
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