My climate fiction short story “The Architecture of Loss,” set in a near future where the Indian tectonic plate breaks apart, has won an Honorable Mention for the L. Ron Hubbard Writers of the Future Contest (2nd Quarter, 2020).
You can learn more about the contest here: https://www.writersofthefuture.com/
Cover Illustration: Science Film Festival Philippines /
I’ve been working these past few weeks with Goethe-Institut / Max Mueller Bhavan on the second edition of Science Film Festival in India. We’ve got some amazing films this year, and I’m very excited to be part of the organizing team.
Photographs from the Science Film Festival workshop held between August 20-22, 2018 in Bangkok, Thailand, led by the amazing Andreas Klempin from Goethe-Institut Thailand.
Along with Geetha Vedaraman from Goethe-Institut (Chennai) and other wonderful participants from a dozen countries, I am really thrilled to be able to introduce some of my favorite DIY experiments and science activities in a workbook for primary/secondary teachers and students around the world.
Here I presented activities on the future of farming in response to this year’s top film selections that explore current food trends and crises, and the coming food revolution powered by AI and agricultural robots, bio-engineering, advocacy, among other critical factors.
The Goethe-Institut/ Max Mueller Bhavan is the cultural institute of the Federal Republic of Germany with a global reach. We promote the study of German abroad and encourage international cultural exchange. We also foster knowledge about Germany by providing information on its cultural, social and political life.
About Science Film Festival
The Science Film Festival is a celebration of science communication and enjoys a unique position in Southeast Asia (Cambodia, Indonesia, Laos PDR, Malaysia, Myanmar, Thailand, The Philippines, Vietnam), South Asia (India, Sri Lanka), Sub-saharan Africa (Burkina Faso, Namibia, Mali, Rwanda, Ethiopia, South Africa) North Africa and the Middle East (Egypt, Jordan, Oman, Palestinian Territories, Qatar,Sudan and the United Arab Emirates). In cooperation with local partners it promotes science literacy and facilitates awareness of contemporary scientific, technological and environmental issues through film and television content with accompanying educational activities. The festival presents scientific issues accessibly and entertainingly to a broad audience and demonstrates that science can be communicated in an educational, as well as entertaining manner. The event has grown considerably since its first edition in 2005, becoming the largest event of its kind and one of the biggest film festivals worldwide in terms of audience reach.
By facilitating cooperation between local and international agencies from the scientific, cultural, educational and environmental sector, with the generous support of the international film and television community, an effective infrastructure is put in place for the dissemination of scientific understanding and access to knowledge. All films are synchronized into local languages to offer viewers access to the content without language barriers. During the festival period, the films are screened non-commercially in museums, schools, universities and other educational venues through coordinated efforts of partners with existing networks and the capabilities to organize such screenings. The festival offers a platform for cultural exchange through which different approaches to the world of science converge.
The Science Film Festival 2018 takes place in 23 countries from October to December, 2018. In India we have selected 38 films for the festival. 10 films for the age group from 9 to 12 years and 13 films for the age group from 12 to 16 years. We have selected 15 films for the University (17+) & General audiences. There will be activities accompanying all the films for which self-explanatory sheets will be provided to the teachers.
On July 8, 1947, Cyril Radcliffe arrived in India for the first time. He had five weeks and four judges to settle the boundary between the newly independent India and a newborn state of Pakistan. After drawing the “ Radcliffe Line,” the British officer burnt his papers, refused his fee, and left the wounded continent never to set foot on it again. Based on W.H. Auden’s famous poem, “Partition,” this is an illustrated account of the man who oversaw the controversial border settlement which left one million dead and twelve million homeless and permanently displaced.
Available to purchase on Apple iTunes Store & Amazon.com.
Available to purchase on Apple iTunes Store & Amazon.com.
Update: August 19, 2017
Yay! Our debut picture book, “The Story of India’s Partition,” is currently No. 1 New Release in Children’s Biography Comics on Amazon.com right now. Thank you for your love and support!
On the origin, scope and purpose of Mithila Review—my guest post, “Unmaking the Post-Truth World With Global SF,” is now up at Locus Magazine. Excerpt:
Mithila is a glorious kingdom ruled by philosopher kings in the Sanskrit epic Ramayana. Millennia later, say in an alternate universe, it’s a decolonized terrain beset with intolerance and violence, a symbol of a civilization in decline.
Science fiction and fantasy that draws its power from actual science and history—a scientific spirit based on evidence, logic and rationality—could be a fluid and powerful language of protest in the new era of demagogues; science fiction could be a new language of awakening and enlightenment in the post-truth world. This was the core belief around which Ajapa and I built Mithila Review, a new kind of open journal with an inherently global bent in an increasing privatized and closed world.
Mithila Review grew out of our innermost fears, needs and concerns. We wanted to counter the growing climate of hate and injustice that surround us, and we knew we couldn’t do it alone, from an invisible, electrified patch of our planet. From the beginning, it was self-evident that we couldn’t hope to win against our enemy—the ideology of segregation and hate—without recognizing, addressing, or overcoming the many differences within and outside SF communities.
We chose to stubbornly believe that Mithila, as a referent, could speak to the times when we have felt that we don’t quite belong; when we liberated our anger and pain in ways that have fed the creative river within us. It’s been deeply gratifying to see that we were not wrong in our belief. Flash-forward a year, Mithila Review is a beautiful example of what we can accomplish together; it’s the result of a global mindset and collective effort. With contributors from Africa, Asia, Europe and the Americas, Mithila Review has evolved into a global platform for a spectacular gamut of humanity—not a single language, gender or race, its singular tribes or colorful nationalities.
You can read the complete post here at Locus Magazine. Many thanks to Alvaro Zinos-Amaro and Locus team!
To support us, please subscribe to Mithila Review through Patreon or Weightless Books.
I am sincerely grateful for the opportunity to introduce Mithila Review to the wonderful readers of Hindustan Times!
We just launched our first quarterly issue for 2017, and I hope you’ll love it!
Apart from excellent poetry, fiction and essays, Issue 7 of Mithila Review features my interview with Hugo-winning Chinese author Cixin Liu (translated by Shaoyan Hu), roundtable discussions on the state of speculative fiction in Czech Republic and Latin America!
Please subscribe or donate to support Mithila Review and our contributors. We cannot become a paying market without your support.
I’ve waited for certain moments with great yearning. But when they finally arrived, I wasn’t always there to experience them. What could an aspiring writer wait more eagerly than his publication?
I was making a rare appearance in the college that day when I saw a group of students with their necks stretched up to the notice board. I wondered if I had missed anything of import. Yes, I had: a copy of my first published work was pinned on the board.
I had always yenned for this big moment for years. I wanted to be the first person to announce my debut. But I would never get the chance. Afterwards publishing became so ordinary a feeling, there would be nothing special about it.
I felt the same way when Barack Obama was elected as the president of the United States. I had fever, and the last thing on my mind was the presidential elections. When I recovered, it was already time to get back to business.